Month: August 2026

  • Laser Books Review 22

    Laser Books Review 22

    22. Keeper by Joan Hunter Holly

    Don’t you just hate emotions sometimes?

    Having lived with depression and anxiety, I can tell you there’s been many a time when I’ve wished I didn’t feel anything at all. It can be a terrible burden, being an emotional creature.

    But it is also the only way to know that we are alive.

    Throughout the Golden Age of Sci-fi, there’s been plenty of fiction which posits that emotion and intelligence are separate things, and that to be a truly enlightened species, we must learn not to feel. I can’t tell you how many depictions of “higher life forms” involved an evolutionary step of “letting go” of emotion.

    Neuroscience was even on board with this idea for a long time, but in the last thirty years we’ve come to reexamine this notion that emotion and intelligence are incompatible. Indeed, the prevailing theory these days is that emotion is the bedrock of intelligence–that it emerges in complex organisms before problem-solving and communication. This theory is supported by a growing body of evidence that all animals which possess a brain are capable of feeling joy, sadness, fear, and love.

    It makes sense if you look at it this way: how do you know the people who are important to you? You feel an emotional attachment to them. How do you know when you’re in danger? You feel a chill creeping down your spine. How do you know when you’ve done something important? You feel happy and accomplished.

    Emotion is our lighthouse, guiding us toward safe harbour and warning us away from rocky shoals. The psychosomatic chemical responses triggered by intense emotions are the perfect tool for conditioning our behaviour. And while emotions can be manipulated so that we fall prey to irrational decisions, we cannot exist as living things without them.

    That is the case which Joan Hunter Holly, pen name of Joan Carol Holly, makes in Keeper.

    Author bio:

    Joan Hunter Holly is the author of ten science fiction novels, including Encounter, The Mind Traders, and The Time Twisters, and of many shorter works, among them “The Gift of Nothing.” She wrote her first story at the age of five and won a blue ribbon in a youth talent contest a year later. Her first professional sale was made when she was eighteen. She comments: “I sometimes think I was born writing and wouldn’t be surprised if my very grave exuded the clackety-clack of a typewriter soft-pounding underground.”

    She earned her B.A. degree in Psychology from Michigan State University, graduating with High Honors, but immediately reverted to writing. Her chief interests lie in the fine arts, American Indian culture and religion, gardening, and nature in all its forms.

    She is also a member of The Science Fiction Writers of America and serves them as a Nebula Anthology Trustee.

    Those are some pretty solid credentials for an entrant into the Laser Books.

    And if you want to visit her grave and find out if she is still clackety-clacking away on her typewriter, you can find her in Delta Center Cemetery, Delta Township, Eaton County, Michigan, USA, Plot Section F, Lot 4, Grave 3.

    Grave details and photo courtesy of Chad Hunter, posted to Find a Grave.

    Also, chalk another one on the board for “books bought at Bakka“!

    It’s Kelly-time!


    Cover

    There have been Laser Books covers where Kelly has wasted space. This is not one of them. Let’s go through the elements.

    In the portrait bottom-right, we’ve got the stern face of our chief antagonist, Re-Conditioner Bretton, a monster of a man who tortures people for a living.

    Behind him we’ve got our protagonist Dainig clutching his ward, Peter (notably wearing his girl disguise). Dainig’s eyes are furtive, scanning the Metropolis-style city for signs of pursuit.

    The looming cityscape is really well done, a true piece of Golden Age retrofuturism that still looks gorgeous today, but my favourite element of this cover is the crowds.

    This is a future where humans have drugged, electrocuted, and coerced all emotion out of themselves, and so most of them behave less than human. Kelly brings that vacuous emptiness that’s on the inside of each of them to the outside, drawing their faces as vapid, slavering, ghoulish caricatures. I like the cover, but I love this artistic flourish.

    And finally, the word Keeper is stamped overtop the city in bold, blood-red letters; Dainig is Peter’s Keeper, and he’s got blood on his hands, as we’ll see very soon.


    Blurb

    In this world of tomorrow, there is neither hatred nor love. Normal human sentiment is punishable by death! Dreams of happiness, human warmth and joy have given way to indifference. Man has been programmed not to feel. It is a chilling world in which there is no feeling at all, save fear… fear of any human emotion! This is the world in which Frederick Dainig must live. He told himself he couldn’t help it, but he knew better than to let himself care about the little child of whom he is the Keeper.

    Hey, anybody watch Equilibrium?

    As you can probably tell just from the poster, this is one of the many Matrix knockoffs that came out between 2000 and 2005. I think somebody in Hollywood basically said, “Let’s do Fahrenheit 451, but with leather cassocks, katanas, and gun kata.”

    “What’s gun kata?”

    “I don’t know, but lets do it.”

    And boy, did they.

    This is a prime slice of early-00’s cheese. It’s actually pretty fun. Take a look at the trailer:

    In this movie, everyone is on a drug called Prozia II which suppresses emotion. “Sense offenders” (people who feel emotion and secretly keep works of art and literature) are hunted down by Clerics of the Grammaton: gun-toting ninjas who enforce the state of Libria’s will.

    Narratively, it’s exactly what you’d expect: they steal Fahrenheit 451‘s plot structure beat-for-beat almost without deviation. You know what they say: Imitation is the sincerest form of flattery that mediocrity can pay to greatness.

    Ray Bradbury was indeed great.

    … what were we talking about before? Oh yeah, the blurb. It’s fine.


    Story

    I hope everyone’s got their therapist on speed dial because we’re ’boutta feel some things.

    In this twisted future, children are given away by their families to have all emotion tortured out of them via a violent electroshock procedure. If they express emotion of any kind, ZAP!

    And if you relapse as an adult (a process called Re-Emergence), you’re taken by the Special Police for Re-Conditioning, which is the same electroshock torture, but worse.

    The rationale for all this is that emotional behaviour led to the tragedies of the 20th and 21st centuries. Capitalism, war, famine, it’s all because people couldn’t control their feelings. Better to do away with them altogether.

    Except…

    Another horrid feature of this future is that people still fetishize emotion, even though they aren’t permitted to experience it. On some level, they know how fucked up they’ve become, they know they need to experience joy, sadness, rage, in order to be human. So the government satisfies these desires with Viewings.

    Developmentally-challenged children–children with no hope of ever controlling their own feelings, Conditioned or not–are either offered up by their parents or ripped away from them and placed into rooms with walls that can be made transparent. There, clinicians manipulate these children’s emotions by offering gifts, love, pain, fear, in order to evoke a response which is then shown to a live studio audience and broadcast around the world.

    And when the children finally realize they’re being manipulated, when the clinicians are unable to evoke any planned emotional response from them, the children are euthanized, either quickly or through starvation (to prolong suffering and therefore emotion).

    The people get their dose of feelings vicariously, and go back to their tranquilized existence.

    Peter is one of these victims. Dainig is the one charged with Keeping him: priming his emotional state so that his expectations can be affirmed or shattered by the other clinicians.

    Dainig’s job is to psychologically torture a child.

    When Dainig begans to feel empathy for Peter, he makes the decision to rescue him from the clutches of the government. He takes him home, gives him food and rest and love. He shows him the real world, transporting him on public transit in the guise of a small girl.

    And then he does the one thing that I, as the reader, did not see coming: Dainig chickens out and returns Peter to his prison and submits himself for Re-Conditioning.

    The scene where he walks an unwitting Peter back into the clinic was such a gut-punch, especially because Peter doesn’t have the cognitive ability to perceive that he is being double-crossed. He thinks Dainig and he are playing a game, until he walks into the clinicians’ office. He begs them to go back, to “go another way”, as if time can be unwritten. He doesn’t understand that some things like death and poor choices are permanent.

    When Dainig submits himself to Re-Conditioning, he gets a surprise visitor between sessions: Laine Todd, a Re-Conditioner who’d been asking to see him for some time. Apparently she’d marked him as a potential Re-Emerger and wanted to treat him, but not for reasons of state. She tells him there’s a growing movement of Re-Conditioners who believe that society must stop torturing human beings and start learning to live with our feelings in a disciplined manner.

    I was reminded of the passages from A Law For the Stars where Ryne is told that drugging feelings away is no substitute for self-discipline.

    Laine wants Dainig to become a front man for her organization, and tells him to write off Peter as a lost cause, but Dainig finds a way to manipulate her into unwittingly helping him save Peter for a second time. Laine is furious, and in the final scene, threatens to kill him and Peter to save the organization, but her will is broken by the moment when Dainig throws himself in front of Peter to save him.

    This simple act of love, so obvious and sensible to us, is baffling to these people who have no concept of what love is. It’s fascinating to see these supposedly intelligent people suddenly come to grips with their emotions and try to keep themselves together in the face of it.

    In the end, Dainig and Peter are promised a place in a settlement where Re-Emergers like them will be left alone.


    Conclusions and Recommendations

    On the one hand, I feel bad this review is going to be so short, but on the other, I’m not sure what else I can say. Keeper does exactly what it sets out to do, and very well.

    My Goodreads Review

    A wasp’s stinger of feeling. Keeper is a brutal book to read, and so very simple in its plotting and characters, but no less painful for it. This is a classic example of Simple Idea + Perfect Execution. It’s an easy 4 out of 5, with some parts of it reaching almost to a 5, especially in the first third of the story. This is an easy admission to the Laser Book Hall of Fame.

    In fact, that’s something we need to institute: the Laser Book Hall of Fame, reserved for the entries in this series that are must-reads or hidden classics. In a couple more installments, we’ll have reached #24 in this series, and that’ll be a good time to step back and reflect.

    For now though, we must move on. The female authors are 3 for 4 in the Laser Books (dammit, Juanita, you just had to shit the bed with Space Trap…), and Joan will return in… Jesus, 33 books… for Shepherd.

    I’m not gonna get my hopes up; so far, when a Laser Books author delivers a great title like Unto the Last Generation or Serving in Time, their second entry sucks burps. I’m praying that’s not the case for Joan, but… well, the pattern has firmly been set by now, and not even the authoresses are free from it. Fortunately, it’s a long road, getting from here to there, and we have to look to our next book.

    Ladies and gentlemen, we’re about to be graced by sci-fi royalty.


    Who’s Next?

    If the name Jerry Pournelle rings no bells, fear not; I’ll do a write-up on him in our next review. Suffice to say, he was a contributor to my alma mater, Analog, a frequent collaborator of sci-fi grandmaster Larry Niven, science editor for Galaxy, and has an awards list as long as my arm.

    He is, in other words, a Big Deal.

    Blurb

    Life imprisonment on Earth or transportation to Mars? Convicted of first-degree murder, Garrett Pittson chooses Mars–a colonized world strictly controlled by Earth and the giant mining corporations. But Garrett is not doomed to slavery in the mines. Tough men like him are needed on Mars–to fight for freedom in the outlawed Free Mars Army. With the beautiful Erica at his side, Garrett embarks on a deadly mission to prove that a free Mars has the power to survive and that he is a true Marsman.

    I’m very excited to see what he’s cooked up for us in his first Laser Book entry, and I hope you’ll join me for that.

    Meantime, I’m going to therapy, and I suggest you do too!

    Everyone should go to therapy!

    — My Girlfriend, L.

  • Laser Books Review 21

    Laser Books Review 21

    21. A Law for the Stars by John Morressy

    I’m often asked, especially after installments like our last entry from Juanita Coulson, “James, why do you continue to torment yourself reading what is largely a very mediocre series of science fiction books?” And my answer is always the same.

    “For the memes, of course.”

    But memes aside… as I’ve repeated ad nauseam, there are gems among these books; stories which, despite their Golden Age-revival trappings, truly do speak to the world we live. I would endure all the shit books again if it meant I still got to read Serving in Time, Invasion, Birthright, and Unto the Last Generation. Some of these stories have inspired me, some have made me think, and some have changed my approach to writing science fiction.

    And now, with the Blackjack(et) of the Laser Books, I’m delighted to say we have yet another winner.

    John Morressy’s bio, courtesy of Roger Elwood and the Laser Books.

    John Morressy was born in Brooklyn, N.Y., in 1930. He published his first story in 1952, and has been writing ever since: novels, novellas, juvenile literature, stories, essays, fables, poetry, verse and reviews.

    A Law for the Stars is his first LASER BOOK but it is the ninth book he has had published. Of these, six have been science fiction novels. He plans to write a good many more, for he finds that science fiction is a pleasure to write and it offers him the chance to work with themes that don’t fit easily into works with a contemporary setting.

    If there is a single theme running through all his work, he hopes it is the belief that the world would be a more pleasant place if we could accept the fact that killing each other is not an effective way of solving our problems.

    I love the term “juvenile literature”. I think I’ll use that to describe my work more often.

    And I fully agree: science fiction is a pleasure to write because it offers possibilities not constrained by the reality we live in, thereby allowing us to examine reality from the outside, objectively and without dogma to hold us in check.

    (This is me foreshadowing the content of this review.)

    I have to say that I was not encouraged by the wording of the theme of his work. There’s a rule they teach you in creative writing school (one of the few lessons I actually agree with): don’t choose simple, childish themes that are obvious to everybody. That third paragraph felt like a warning.

    But I immediately overlooked it in light of what I saw on the title page.

    Whoooo! Ladies and germs, we have a new first in the Laser Books: a surprise signed copy!!!

    *Blows party horn*

    This might be one of the few signed copies of the Laser Books signed by the original author. I can’t imagine these novels (or their authors, I’m sorry to say) were popular enough to warrant many signatures.

    I might be the only man on Earth who has a signed copy of this exact book… That’s a scary thought. This might put a target on my back.

    And for the authors who did make it big, they have other works far more popular than whatever they turned in to the Laser Books that are deserving of signatures. For example, if I’m going to get a book signed by Tim Powers, am I going to take The Skies Discrowned (later published as Forsake the Sky), or am I going to take a chart-topper like The Anubis Gates, or Last Call, or On Stranger Tides, or The Stress of Her Regard?

    Um… actually… maybe not The Stress of Her Regard. The ghost of Mary Shelley would probably cut my balls off.

    Would You Like to Know More?

    I first discovered Tim Powers through the Treasure Chest which contained the other Laser Books. I plan to do a post about them once I finish reading the last of the titles which were included.

    I think we’ve dallied enough, let’s get this review started.


    Cover

    I really love this cover. It really brings a wave of nostalgia.

    Growing up with the late 90s, early 2000s Star Wars games, I got to see a lot of really cool science fiction character designs. Some of my favourites were actually the characters who were not human, but shared a lot of the same models and textures. Maybe they were coloured blue, or pink, or green, but other than that, they weren’t very “alien” looking.

    I think that’s what I liked about them: they were mostly recognizable as people, but there was just one or two odd things about them.

    I’m getting those same vibes here.

    I believe the man in the portrait is Thone, one of two characters who take our protagonist Ryne into the Sternverein Security forces. He’s got so much character in his face! The blue-black skin, the smirk, the world-weary eyes, the red ascot–you can tell this guy has been places. He could be a cherished uncle or brother.

    His cheerfulness is undercut by the shadowy figure behind him. This might actually be our protagonist, Ryne, but he’s not wearing any medals or commendations that I can see (an important aspect of adult Ryne’s character), and he looks a bit like Thone’s race, so it might not be him. Either way, it’s one of Kelly Freas‘s best character designs in my opinion.

    In the background, you’ve got a Sternverein driveship, and a collection of worlds which could be all the major locations in the novel, or simply one planetary system with two moons. Kelly arranges all these spacey elements vertically and backlights them with a river of stars to fill the negative space.

    This might be one of my favourite covers because, rather than simply capturing characters or moments from the story, it captures the essence of the story: a front of good cheer with the spectre of violence looming large in the background.

    Looking at this cover, I feel like I’m being made an offer I can’t refuse.

    This is why Kelly is a master of SFF covers: when he’s at his best, he pulls you into the story before you’ve read a single word.

    Would You Like to Know More?

    Oh! Before I forget… On the subject of signed Laser Books, I met a geezer at The Only Cafe a few months ago who actually had the entire Laser Books collection… signed by Kelly Freas.

    Jealous-making!

    But he also told me about a really incredible piece of animation that I’d like to share with you all, simply because there hasn’t been a better place to do it before now. If you watch Corridor Crew, you might be familiar with this guy. His name is Mike Jittlov, and his creation is “The Wizard of Speed and Time”.

    Feast your eyes.

    Let’s get onto the Blurb.


    Blurb

    The Sternverein polices the universe. Criminals dread it; law-abiding citizens esteem it; all respect it. Ryne, an orphan from the planet Jadjeel, worships it. The organization rescued him from slavery and trained him to be a man among men, an elite Blackjacket. It gave his life purpose and direction, excitement and adventure. But it is totally corrupt, as Ryne learns in the shattering episode that brings to a climax John Morressey’s sweeping odyssey, A Law for the Stars.

    A great blurb! Marketing Guy, you aren’t doing too badly these days.

    Stories of corrupt institutions have been popular for a long time, but especially now, as late-stage capitalism is deconstructed by intellectuals and artists.

    But I have a particular fondness for stories of soul-searching in law enforcement (more on this later). Indeed, in most of the novels I’ve written, there is often a grey-haired mercenary, cop, or soldier who comes to a crisis which forces him to reexamine the system of power he serves. Sometimes that examination costs him his life, and sometimes he manages to redeem the institution to which he belongs.

    We’ve had stories and blurbs many-a-time in the Laser Books of characters realizing they’re living under a dystopian society, so I wasn’t expecting much from Morressy. I was thinking this would be another run through Detroit.

    I was wrong.

    Buckle yer fuckles, boys and girls, this review is gonna be as sprawling as the Sternverein itself–but hopefully, more self-aware.


    Story

    Qiānggǎnzi lǐmiàn chū zhèngquán.

    Political power grows out of the barrel of a gun.

    — Mao Zedong

    How does law enforcement gain the trust of people? A Law for the Stars posits that one of the most lasting and effective ways is a demonstration of force right at the time and place the people are victimized the most.

    That’s how it goes for our protagonist, Ryne.

    On his planet Jadjeel, the citizens have forgotten that they once came from another planet called Earth, so they’re quite shocked when one day, visitors from the stars arrive, give weapons to a rival clan, and march together on the cities, killing and pillaging as they go. Ryne’s parents are killed and he finds himself alone on the streets of a city now ruled by bandit lords.

    In his quest to survive, Ryne accidentally kills an otherworlder who was trying to rob him. This scene is handled with such simple cruelty: when Ryne tries to stop the thief, the thief slaps him and goes back to rummaging through Ryne’s pack, as if Ryne is expected to know his place. It really gets your blood up, and you’re quite happy when Ryne greases the schmuck.

    Afterwards, fearing he’ll be made into an example, Ryne flees and falls in with two other otherworlders: a blind seer named Thone and his companion Varyssa. They take Ryne in, ostensibly because he has nowhere else to go, and Thone uses his “talents” to worm his way into the court of the Overlord, a star-borne renegade on the run from men and women called “blackjackets”.

    That night, Thone and Varyssa murder the Overlord and his cohorts in their sleep, and reveal themselves to be members of the Sternverein–the blackjackets the Overlord feared.

    But who are the Sternverein?


    Bad Men with Badges

    Sternverein Security is the military arm of an interstellar trading empire.

    After humanity expanded to the stars, human beings diversified into many phenomes, and that’s before alien civilizations were thrown into the mix. The nature of FTL in this universe mandates that only small arms can be carried aboard interstellar starships. If you try to go superluminal whilst carrying, say, a particle cannon or nuke, the FTL field collapses and the ship explodes.

    With no direct link to Earth, no central government to keep order, and only small weapons being available, a class of pirates, bandits, and warlords took power over multiple systems, preying on those who couldn’t defend themselves.

    In order to protect commercial vessels plying the shipping lanes, an alliance of merchants created a force of armed traders who eventually became the Sternverein Security forces.

    Officially, its role is to police the stars, hunting down pirates and despots, and keeping merchants safe.

    Unofficially, the Sternverein engages in the assassination and genocide of anyone it deems undesirable, and it has a hierarchical system that prizes racial purity. (They have a numerical scale for how close a person is to “Earth basic” genetically.)

    The only difference between a police force and a gang is a badge. So long as the state has the monopoly on force, it can–and often does–allow its peacekeepers to get away with murder.

    There are many historical precedents for the Sternverein: ICE, the Presidency Armies of the East India Company, and the Gun Trace Task Force of Baltimore, but the comparison I believe is most apt for the Sternverein is Spain’s guarda costa (“coast guard”) which operated in the Caribbean throughout the Golden Age of Piracy.

    In the late 17th and early 18th centuries, Spain had a real problem with piracy. Anybody with a canoe and a gun could, and often did, raid Spanish possessions. It didn’t help that rival powers, jealous of Spain’s wealth, gave permission for their own captains, whether military or commercial, to plunder Spanish holdings at gunpoint.

    Spain’s Navy didn’t have the numbers to protect its assets, so it began issuing letters of marque and reprisal to captains of armed traders, empowering them to search and seize any vessels heading into or out of the Caribbean. With these licenses in hand, the guarda costa proceeded to conduct a campaign of terror against pirates and honest merchants alike. They would torture, rape, and kill whomever they wished, and even if you somehow escaped with your life, chances are good they’d still rob you of your cargo, fence it, and burn your ship.

    The guarda costa were pirates, but pirates armed with badges and licences as well as guns and sabres, so they were considered legitimate, at least by their own government.

    The Sternverein’s modus operandi is explained early in the novel:

    “Remember, our primary mission is execution. We fight only if we must. This is not a tournament–we’re going after outlaws condemned by the Court of Mercy. If you can kill them in their sleep, do it. If you can kill them when they’re unarmed or after they’ve surrendered, do it. Kill them and everyone who sides with them, including women and children. You won’t be killing humans, you’ll be ridding the stars of an infection. You’ll be helping to build a future that promises safety and security for people who have no other protection but our strength. This is what you trained for. Do it right and you’ll stay alive and all the civilized worlds will benefit. You’re the deadliest weapon in the galaxy–a Sternverein Security trooper. Be a good one. That’s all, Ryne. You’re dismissed.”

    — Pg. 54-55

    I can easily imagine such lessons were given to the Sturmabteilung and Hitler Youth regarding the Jews, or to the Israeli Defence Forces regarding the Palestinians.

    And one page later:

    The simplest, most basic weapon of all was the trained professional warrior.

    — Pg. 56

    That is true.

    What’s also true is that for most of history, those trained professional warriors maintained their status through the brutal subjugation of anyone who threatened their power. Thus it is with the Sternverein.


    Ryne

    Having seen the efficacy of the Sternverein, and been promised the chance to join them, Ryne becomes one of the most zealous and effective troopers the organization has ever known.

    The reason this book is such a treat to read is because, as the reader, we know how fucked up the Sternverein is from the word “go”, but it’s so interesting to see Ryne fall in love with them because we’ve seen what happened to his family. He has legitimate reasons for wanting to be in law enforcement: they killed his family’s murderers and gave him shelter when no one else would.

    As a middle class white boy with a suburban upbringing, my parents drilled one lesson into me over and over again: “No matter what happens to us, you can always trust the police.” And for me, that was true; being straight, white, and male pretty much guaranteed the police would be on my side for life. I grew up a rule-follower, with a healthy respect–even reverence–for authority.

    It wasn’t until I dated my first partner in college, a black woman, that I realized what held true for me didn’t hold true for everyone.

    She had a problem with a stalker and I repeatedly urged her to talk to the police. To which her constant refrain was, “I don’t trust the police, and they don’t trust me.” I never got it through my head that for her, the police weren’t necessarily friends, and it was purely down to the colour of her skin.

    I would like to say that I know better now, but the truth is I still view law enforcement with rose-tinted glasses. In the past, I’ve gone out of my way to give witness statements to the cops on car accidents and assault cases.

    I cannot imagine I would ever lie to a police officer.

    That trust is magnified a thousandfold in Ryne, and cemented by the use of drugs. The Sternverein keeps all of its officers on Nolo while in service, a drug which suppresses emotion and sex drive and quietens conscience. It makes troopers more effective killers.

    Troopers are always given the chance to come off Nolo during their R&R, but over time, many simply choose to remain on the drug permanently. These men and women are not machines; on some level, they know that what they’re doing is wrong.

    But as long as they don’t have to feel their guilt, they can get on with the job.

    Ryne comes off Nolo for the first time and instantly begins to regret the lives he’s taken. He confesses this to his romantic partner Keela, who consoles him with these words:

    She placed her hands on his shoulders and looked at him intently. “Ryne, you’ve been talking about killing. But you’re a blackjacket. You don’t kill. You’ve never killed anyone yet, and you never will. Your purpose is to locate and eliminate dysfunctional components, and you do it superbly well. You’re a good man, Ryne–you know your purpose and you fulfill it. That’s why I love you so much.”

    — Pg. 98

    Dehumanization is a necessary first step in genocide.

    Ryne earns the Order of Leddendorf, the highest commendation of the Sternverein, for his actions on a mission gone bad. He is often cited as the most proficient soldier in the organization, and is given increasingly higher levels of trust.

    But predictably, it all comes crashing down.


    The Endgame

    The goal of the Sternverein is to cleanse the stars of pirates, renegades, and bandits–to Make the Galaxy Safe Again.

    And for the most part… they succeed.

    But as the last pirate strongholds are purged and the grizzled old Sternverein troopers retire, a new class of asshole takes power. These pencil pushers haven’t the guts to undertake dangerous missions and would prefer to just glass troublesome worlds from orbit. They draw even less distinction between rebel worlds and worlds that simply want to be left in peace than the Security forces do.

    And they are learning to build uncrewed bombships to that purpose.

    John Morressy pulls such a clever bait and switch on the reader. He convinces you that Ryne and his ilk are the worst thing in the universe, and then shows you that there’s still further for humanity to sink. Ryne, for all his faults, still has a code he adheres to, as twisted as it may be.

    The people rising to power in the Sternverein now have no code at all, save greed.

    And we come at last to the climax of the book. During a routine diplomatic mission to a supposedly primitive world, Mog Korb, Ryne partakes of a hunting ritual where he eats the heart of a wild animal. The Sternverein have explicit rules against eating local food, ostensibly because it might carry diseases for which they don’t have cures, but if you know a little about human biology, you might have guessed the real reason for this taboo.

    Ingesting food stimulates the body’s metabolism, speeding up the breakdown of molecules in the bloodstream… including drugs.

    Drugs like Nolo.

    That animal heart carries enzymes which breaks down the Nolo in Ryne’s body, causing him to experience heightened emotion for the first time in years.

    Ryne had never lost his curiosity about the great variety of human life forms found among the stars. As a boy in Jadjeel, he had seen all otherworlders as brutal enemies until he met the ones who saved his life and freed his world. An Agyari and a Mallelan were his first heroes; Seadhal the Thorumbian was the finest trooper he had ever known. Since his first space duty, most of his friends had been part of the Old Earth blood, it was true. That breed was predominant on nemesis runs. And the nature of his duties brought him in contact with only the worst of every galactic race. But despite all the experiences that might have led him to see every alien as a deadly enemy, the force of those early impressions was great. It had created a lifelong interest in alien races and cultures, an interest Ryne had pursued even when his superiors gave him no encouragement. Now he was grateful for the long discipline.

    — Pg. 135

    Free of Nolo, Ryne begins to empathize with the Korbians. He tells them about his experience with Nolo, and why troopers are forced to take it.

    Milam looked at him as if seeing someone new and fearsome. “You make yourselves less than men, less than women. You are not human!”

    “We sacrifice something, for a time, in order to gain the discipline that keeps us alive. Our discipline has made us the greatest power in the galaxy, and we’ve used that power for the good of all human races,” Ryne said.

    “This is not discipline, Ryne,” Milam said vehemently. “Discipline comes from within. It is freely chosen. You are slaves.”

    — Pg. 160

    But it’s more succinctly stated twenty-two pages later:

    The Sternverein, for all its proud boasts and imperial dreams, seemed to fear normal humans reacting in a normal way.

    — Pg. 182

    When Ryne discovers that a shadow mission has been deployed to Mog Korb–forty-four blackjackets sent to train a rival tribe in offworld firearms–he realizes that he was wrong about this organization which saved his life and took him in.

    This is Jadjeel all over again, only this time, it’s being perpetrated by his found family.

    Turns out the galaxy is getting sick of the Sternverein. Some worlds are banding together to form their own defence league against the blackjackets. There are also signs the Sternverein is about to collapse: the reason they’re interested in Mog Korb is because the planet is abundant with a critical element used in the construction of faster-than-light driveships. The ships used by the Sternverein are on their last legs, and once they break down, the blackjackets will have no vessels capable of carrying them across the stars.

    Moreover, the new leadership’s gambit of building bombships can only work with an influx of the element. Without that, the plan falls apart.

    Ryne’s actions on Mog Korb might have saved the galaxy from several generations of tyranny.

    I would like to close this portion of the review with a short piece of dialogue from Battlestar Galactica. It comes shortly after humanity finds itself on the run from the Cylons. President Roslin asks Commander Adama for his forces’ help in keeping order amongst the refugees.


    Conclusions and Recommendations

    The brilliance of this novel is not that it says anything new; rather, it shows us how a person can become indoctrinated into trusting a system of authority with their whole heart, and the extreme measures that must be taken to deprogram that person.

    Ryne is a simple character, but the truth is, there are millions of people like him around the world: people whose lives were saved by a powerful entity, and who now put their faith in that entity. It’s so easy to become enamoured with authority when authority exercises force in your defence. What is obvious to the reader is not obvious at all to Ryne, but Morressy’s strength is that he helps you understand where Ryne is coming from.

    Flawed as he is, misguided as he is, Ryne’s story could be mine.

    My Goodreads Review

    An insightful deconstruction of law enforcement, order, and justice, this novel is also a cautionary tale about putting one’s faith in systems of authority. It’s a reminder that, as dangerous as the world is, and no matter how badly people have hurt you, nothing should convince you to trade your freedom–or humanity–for security. I can easily recommend this novel, which is as relevant in 2026 as it was in 1976.

    This book was a joy to read, pure and simple, and it belongs on a shelf with the other Laser Books that actually say something about the world we live in. Easy 4 out of 5. Perhaps even a 4.5. It is at least on the level of Serving in Time, in case the length of this review wasn’t a clue.

    Sadly, we must now bid adieu to John Morressy for a very long time. We will not read his work again until Laser Book 52. The Extraterritorial. For now, we must turn our attention our next title, which represents only our third entry by a female author in this series.


    Who’s Next?

    Ooh, nice cover! Blurb me up.

    Blurb

    In this world of tomorrow is neither hatred nor love. Normal human sentiment is punishable by death! Dreams of happiness, human warmth and joy have given way to indifference. Man has been programmed not to feel. It is a chilling world in which there is no feeling at all, save fear…fear of any human emotion! This is the world in which Frederick Dainig must live. He told himself he couldn’t help it, but he knew better than to let himself care about the little child of whom he is the Keeper.

    Wait a sec…

    … is this Equilibrium?!

    Shiiiiiit it’s been ages since I practiced my gun kata!

  • Laser Books Review 20

    Laser Books Review 20

    20. Space Trap by Juanita Coulson

    Whoa, 20 came around real fast.

    Juanita Coulson, the author of Laser Book 11. Unto the Last Generation, brings us a tale of exploration gone awry on a far off planet. Yes folks, this is the third shipwreck story we’ve seen on the Laser Books.

    But, if you’ll recall my review for Last Generation, you’ll remember I had some glowing words for that book, in particular for Juanita’s perspicacious depiction of reproductive immune disorders. That was a 4 out of 5 book.

    So I’m going into Space Trap with high hopes that she’ll do something very interesting.

    First, some housekeeping.

    As of the previous book, 19. The Unknown Shore (review here), Roger Elwood began including biographies of the Laser Books authors. This is a godsend. As you’ve no doubt realized, most of the authors of these books were not very prolific, so they never got enough attention to warrant the writing of extensive bios in magazines and periodicals. And if the authors died before rounding the bend into 2000 A.D., they likely never began the process of creating digital personas and records of their lives.

    This means I have to go down a research rabbit hole for each and every one of these writers, but now, mercifully, I have a trailhead in the form of the Elwood bios, and I’ll include them in every review. For the sake of consistency, I’ll add Juanita’s here, even though I already covered her in my Last Generation review.

    ABOUT THE AUTHOR

    Juanita Coulson has been involved in the science fiction field most of her life. With her husband Robert, she edits and publishes the Hugo award winning fanzine, Yandro. Her first story, a collaboration with Marion Zimmer Bradley, was “Another Rib.” In addition to numerous short stories, she has the following science fiction novels to her credit: Crisis on Cheiron, The Singing Stones, Star Sister, The Gates of Eden, War Wizards. She has also written three gothic romances.

    The Coulsons, and their son Bruce, attend numerous science fiction conventions: they were Fan Guests of Honor at the 1972 World SF Convention in Los Angeles. and the 1975 Deep South Con in Louisville, Kentucky.

    Juanita Coulson also wrote Unto the Last Generation, LASER BOOK No. 11

    See? Isn’t that so much more elegant than my digital bumbling?

    Anyway, let’s get stuck in.

    *Deep breath*

    KELLY!


    Cover

    This is a bit better than The Unknown Shore. Kelly has really captured the surrealistic, dreamy quality of the planet NE 592. In fact, this might actually be a scene from early in the novel where R.C. and Ken are shown a vision of an Earthling murdering one of the M’Nae people. The Earthling is presented as a faceless, wraithlike image in the M’Nae’s telepathic imagery of the event. The giant crash of Noland’s Class-D spaceship in the background and the Survey Ship burning her engines as she falls planetward are all correct as well.

    The blood-coloured trees, sparkles, and Thayenta’s rainbow hair really elevate the dream-like quality of this cover. The whole thing feels like a memory plucked from an alien mind: subjective and colourful.

    That said, this still isn’t quite on par with Kelly’s best work, like The Black Roads or Invasion. The composition and staging of the elements is a little off. It feels like we’re looking at a stage play from the wings instead of the front row seats. It’s a little… off. Maybe you guys know what I mean.

    Anyway, lettuce move onto the blurb.


    Blurb

    Planet NE 592 wasn’t due for Secondary Survey for another ten years. So why, Ken wondered, were they heading there now? Then on his screen he saw the disembodied face of a girl with jewel-like skin and felt, rather than heard, her plea: “Go Back.” But they couldn’t go back. Against their will, they were drawn to a crash landing on NE 592. They were trapped–with no means of escape. And NE 592 was not the uninhabited planet they had been led to believe it was!

    As I said in my review of The Unknown Shore, I love nautical tales of shipwreck and marooning, and I love them even more when they’re set against the backdrop of the Universe.

    Would You Like to Know More?

    I was on vacation with L. in New Brunswick this past week whilst reading Space Trap, and we listened to a podcast episode which covered the sinking of the whaling ship Essex. This is the tale which inspired Herman Melville to write Moby-Dick.

    In brief, the Essex was an American whaler which was rammed and sunk by a sperm whale on November 20, 1820 in the South Pacific. Of a crew of 20, only 8 survived, some by making landfall on a Pacific island, and others by resorting to cannibalism. Melville later sought out the survivors and used their accounts as background to the writing of Moby-Dick.

    The story of the Essex matters because it is part of a growing body of evidence which proves the intelligence and sentience of whales. As whaling activity increased throughout the 19th century, a pattern of behaviour emerged among whales that is referenced in Moby-Dick: when whaling ships bore down on pods of whales in mating season, the males would signal the females to flee, and then they would turn and attack the whaling ships, usually losing their lives in the process, but sometimes taking a whaling ship with them to the deep. These attacks increased in frequency as more and more whalers invaded the sperms’ mating grounds.

    In short, the whales learned how to defend themselves, their mates, and their offspring.

    The importance of whales as a keystone species was only understood later with the discovery of the Whale Pump. The wanton destruction of these animals represents one of the greatest mistakes in the catalogue of human affairs on this planet–a mistake which we continue to perpetuate in the modern world.

    There’s a Gordon Lightfoot song which speaks to the tragedy of humanity’s actions: “Ode to Big Blue”.

    Knowing Juanita, she’ll probably make of this tale a deft study of colonialism and invading peoples. I’m actually excited! Let’s open this thing up and see what we got!


    Story

    Remember how excited I was to dive into Gordon Eklund‘s Falling Toward Forever after reading the incomparable Serving in Time? Remember how disappointed I became after seeing the travesty that Forever turned out to be? Remember how I said in my last review I shouldn’t get my hopes up just because an author turned in a great story once in the Laser Books?

    I never listen to myself. I know I should, but I’m ever the optimist.

    I was sitting with my girlfriend on the sofa in her parents’ house at ten-o’-clock. I finished the last page of Space Trap and let the book fall from my hands. L. looked up at me, laughed, and said, “You look so unimpressed.”

    I held up the book and replied, “Well, this was pointless.”

    And it was.

    My God, Juanita, what kind of month were you having when you wrote this?

    To outline in brief, our protagonist Ken…

    … just Ken…

    … crash lands with his captain, R.C. Zachary, on NE 592, and discovers that a race of telepaths has already colonized the place. Worse still, a group of regressive humans led by Zachary’s old colleague, Noland Eads, have also crashed here and the technophobic zealots have gone and started a shooting war with the telepaths.

    Ken and R.C. are charged with a murder committed by Eads, and it is here that Ken meets Thayenta, a telepathic apprentice, and falls for her scantily clad body and feminine helplessness.

    Look… if you’ve seen any number of Star Trek TOS episodes, you’ve seen this plot. Man falls for helpless alien waif–a “space trap,” if you will–who can barely speak English and immediately feels protective and possessive of her. He tries to make peace between the unenlightened humans and barbaric aliens and teach everyone Peace, Freedom, and the American Way.

    I cannot tell you how tiresome such a plot is, especially in 19-fucking-76 when the SF New Wave was at its peak, redefining the genre and thrashing the Old Boys Club that science fiction used to be. And I am stunned that Juanita Coulson, authoress of Unto the Last Generation, would turn in a story this banal, this pointless, this exhausted after such a wonderful examination of human fertility and the importance of hope in a world in freefall.

    But most shocking of all? How could a woman write a story that so naturally and effortlessly perpetuates the stereotypes her fellow female authors have struggled against for decades?

    In the words of Vannevar Bush, “I apologize if I’ve become stirred, but I am.”


    Conclusions and Recommendations

    My Goodreads Review

    A misogynistic colonizer’s wet dream. This novel is a throwback to the very worst stories produced in science fiction, and I’m shocked and appalled that a woman–let alone the authoress of the endlessly inventive and fiercely intelligent Unto the Last Generation–could pen it.

    I know I’m coming across as very hard on Juanita Coulson, but I’m honestly so baffled and disappointed. She’s shown herself to be a very talented writer, and her choice in subject matter was subtle and clever in Last Generation. So why did she choose to waste her talents on this drivel?

    There’s actually a very simple way to make this plot work, and it’s the same suggestion I made in Seeds of Change.

    Write Thayenta as only pretending to be a speechless, emotionally immature waif. In truth, she’s only feigning loyalty to Ken in a bid to gather intelligence for her people. Once she gets everything she needs, she casts him and the other humans aside and her people throw the humans off-world.

    This way, you could still tell the story from Ken’s POV, but his dreams of being the dashing space hero blow up in his face and his worldview is completely upended by Thayenta’s apparent “betrayal” of him. He realizes how stupid he was to underestimate her and her people, and how dangerous his own species has turned out to be. A real space trap indeed! This would be such a great inversion of expectations, and would be a massive “fuck you” to the imperialist plotlines of the Golden Age.

    Juanita, you missed a golden opportunity. I’m sad this is the last time we get to see you on the Laser Books. I really enjoyed Unto the Last Generation, and it’s been an inspiration for me. But Space Trap is such a waste.


    Who’s Next?

    Okay, let’s shake this one off and see if the next author can wash the bad taste out of our mouths.

    Ooh, hot diggity, I like the looks o’ this! Now, let’s see the blurb?

    Blurb

    The Sternverein polices the universe. Criminals dread it; law-abiding citizens esteem it; all respect it. Ryne an orphan from the tiny planet Jadjeel, worships it. The organization rescued him from slavery and trained him to be a man among men, and elite Blackjacket. It gave his life purpose and direction, excitement and adventure. But it is totally corrupt, as Ryne learns in the shattering episode that brings to a climax John Morressy’s sweeping odyssey, A Law For The Stars.

    Corrupt space cops? Sign me up!